When the family moved to Beverly Hills in the mid-1950s, she won a scholarship to the University of California in Los Angeles, as near to Hollywood as a student of English and drama could get, and dabbled in acting during the summer holidays. The only child of a US Army colonel, Virginia Gayle Hunnicutt was born on Februin Fort Worth, Texas.

She pulled out a couple of days before the play opened, explaining that she was suffering from laryngitis, but her “indisposition” coincided with her final split from the serially unfaithful Hemmings, who was reportedly being “consoled” by his secretary, Prudence de Casembroot, 26. The disintegration of her first marriage put paid to her appearance as Thérèse Raquin in Michael Voysey’s stage adaptation of Emile Zola’s novel of that name at the Yvonne Arnaud Theatre in Guildford in August 1974. Sir Christopher Bland, chairman of London Weekend Television and a future chairman of the BBC, used the occasion to make mischief, spreading a story that Gayle Hunnicutt and Jenkins had spent their wedding night at Henry James’s old home, Lamb House at Rye, reading Middlemarch. In 1993, with her second husband, the cerebral Simon Jenkins, once described as “the acceptable face of fogeyism”, she hosted a joint 50th birthday celebration at St James’s Palace, previous venues for their annual extravaganzas having included Battersea Power Station and the Science Museum. Offers of film parts continued to flow and she was busy on the stage, too, appearing in productions of Shakespeare and Shaw and in lighter fare such as revivals of Philip Barry’s The Philadelphia Story (Oxford Playhouse, 1981) and Clifford Odets’s The Big Knife (Albery, 1987), in which she co-starred with Martin Shaw. In Britain she sought to establish herself as a serious actress, and in the 1970s featured on television in costume dramas including an adaptation of Henry James’s novel The Golden Bowl, Colette’s The Ripening Seed (both 1973) and as Tsarina Alexandra in the classic serial Fall of Eagles (1974). Had she remained in Hollywood rather than marrying David Hemmings and moving to London in 1968, she would probably have had a more illustrious film career, but she considered herself lucky to escape.

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